My Adventures working with Editor X Continue
She is proving to be an absolute pleasure to work for. Pitches have been read and discussed with her team. They love two of them! So, both get a green light - but there are notes for both - it's up to me to decide which one I want to amend and re-submit! We discuss this at some small detail. Over to me! Next discussion due soon.
Nice to be treated this way!
CS
Friday, July 9, 2010
Wednesday, July 7, 2010
How did the Editorial Phone Hook-Up Go?
I was expecting one of two outcomes:-
a) Like your pitch - let's do it.
b) Don't like your pitch - please go away.
What I got was something else:-
c) 'We can't use your pitch because of (X) reason, but I like it and your writing, it's different and it stands out. However:-'
c) (i) 'There may be (y) event coming up for the company - which would then allow me to use it! If that happens we'll talk again on this.'
and
c) (ii) 'I want you to try out for something else, a lesser gig, in scope, but will allow us to work together and see what follows. Can you give me soem pitches for (z)? By tomorrow?'
I am sure, dear reader, you know I said yes, and I've already sent the three pitches off. Don't know what happens after that but it certainly was one of those pleasant moments when you know people GET what you are trying to do. People are often harsh about editors, but it's important to remember how decent they can be, if you just remember they are trying to do a job; buy great stories.
More if more happens.
CS
a) Like your pitch - let's do it.
b) Don't like your pitch - please go away.
What I got was something else:-
c) 'We can't use your pitch because of (X) reason, but I like it and your writing, it's different and it stands out. However:-'
c) (i) 'There may be (y) event coming up for the company - which would then allow me to use it! If that happens we'll talk again on this.'
and
c) (ii) 'I want you to try out for something else, a lesser gig, in scope, but will allow us to work together and see what follows. Can you give me soem pitches for (z)? By tomorrow?'
I am sure, dear reader, you know I said yes, and I've already sent the three pitches off. Don't know what happens after that but it certainly was one of those pleasant moments when you know people GET what you are trying to do. People are often harsh about editors, but it's important to remember how decent they can be, if you just remember they are trying to do a job; buy great stories.
More if more happens.
CS
Sunday, July 4, 2010
Aaaaaaaaaaand, we're back.
I have a phone hook-up booked with an editor from what they call in the comics industry 'one of the Big Two' in a couple days.
It's to discuss a specific pitch of mine, and any consequent issues, I guess.
Funnily, I have an eerie sense of calm about the whole thing, because I know the actual chance of the meeting turning into a paid gig is only partly in my control; and the part that's in my control is the part I have already put everything I've got into. I have prepared myself and I have gone and got a couple of extra things that are really not required for an effort like this but which would give me added help in conveying the intensity of pitch and the applications of it, and to some extent answer some of the marketing questions around it.
If the whole thing goes down in flames or the meet has to be postponed (yes, that happens, readers; editors have crises to deal with and emergencies bump spec pitches any day) I'll mayhap feel a little deflated but one thing I've decided; if I can't do the best pitch in the world, the one that shows I want to move planets to make a good story find a home, then maybe it ain't that good after all. If I don't believe in it as deserving of literary life, who should?
CS
It's to discuss a specific pitch of mine, and any consequent issues, I guess.
Funnily, I have an eerie sense of calm about the whole thing, because I know the actual chance of the meeting turning into a paid gig is only partly in my control; and the part that's in my control is the part I have already put everything I've got into. I have prepared myself and I have gone and got a couple of extra things that are really not required for an effort like this but which would give me added help in conveying the intensity of pitch and the applications of it, and to some extent answer some of the marketing questions around it.
If the whole thing goes down in flames or the meet has to be postponed (yes, that happens, readers; editors have crises to deal with and emergencies bump spec pitches any day) I'll mayhap feel a little deflated but one thing I've decided; if I can't do the best pitch in the world, the one that shows I want to move planets to make a good story find a home, then maybe it ain't that good after all. If I don't believe in it as deserving of literary life, who should?
CS
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